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[music]

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[Male narrator]:<i> How do
you build a glass bridge</i>

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<i>out over the Grand Canyon?</i>

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We all thought it was
an April Fool's joke.

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[Narrator]:<i> What engineering
secret makes a library</i>

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<i>defy the laws of gravity?</i>

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[Ellie]: It's just
completely bonkers.

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It looks like it's gonna
fall down at any moment.

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[Narrator]:<i> And how do you
build a museum tough enough</i>

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<i>to survive anything
Mother Nature throws at it?</i>

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[Eric]: We had to design
inside the piers

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for the impact of a car

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travelling at
2 metres per second

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[Narrator]:<i> This is the
age of the extraordinary.</i>

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[Hayley]: It's like one of
those insect-eating plants,

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only enormous and white.

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[Narrator]:<i> Where ingenious
engineers have unleashed</i>

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<i>unchecked creativity.</i>

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<i>Now their secrets are revealed</i>

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<i>as we discover the amazing
stories of their construction.</i>

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This is an incredible feat
of planning and engineering.

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[Narrator]:<i> To try
and understand...</i>

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<i>how did they build that?</i>

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How to take the most
breath-taking selfie

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at the Grand Canyon
is a question

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that's been troubling
minds since...

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Well, since selfies
began, really.

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We've gone up in a helicopter.
We've tried the VR simulator.

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But to really get
the heart pumping,

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how about walking out over
the canyon and staring down,

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past your shoes, into
the gaping 4000-foot abyss?

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"Come on, Jay,
that's impossible!"

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I know that's
what you're saying.

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Impossible? Says who?

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[Narrator]:<i> The Grand Canyon
in northern Arizona</i>.

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<i>One of the Seven Natural
Wonders of the World.</i>

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<i>Created by nature,
its stunning beauty</i>

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<i>has made it one of the most
famous and most visited places</i>

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<i>in the United States.</i>

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<i>Back in 1903, President
Teddy Roosevelt declared,</i>

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<i>"Leave it as it is."</i>

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<i>He said,
"You cannot improve on it.</i>

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<i>The ages have been at work
on it and man can only mar it."</i>

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<i>And for more than a century,</i>

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<i>the spirit of that idea
held true</i>

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<i>with the millions of visitors
taking a peak over the edge,</i>

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<i>white water rafting through it,</i>

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<i>or for the lucky few,
taking it all in from the air</i>

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<i>That is, until in 2003,</i>

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<i>when the Hualapai tribe
decided to build</i>

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<i>a very special viewing platform</i>

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<i>that's anything
but run of the mill.</i>

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[Hayley]: When you're
building in a landscape

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as beautiful as this,
everything has to be perfect.

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[Narrator]:<i> So they created
a glass-bottomed walkway</i>

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<i>that stretches 70 feet
out over the edge.</i>

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It's just really cool
how you can look down

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and see straight down.

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Oh my goodness, this is scary.

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I've seen the sign that
says, "I chickened out."

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Well, it pushes you out
into the canyon itself.

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So it's a very nice feeling.

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[Narrator]:<i> Without
visible supports,</i>

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<i>the structure appears to float</i>

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<i>4000 feet above
the canyon floor.</i>

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<i>It's a dizzying
engineering achievement</i>

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[Corina]: The skywalk
is not really for those

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with a distrust in engineering.

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In fact, it's an act of
faith just to walk out there.

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[Narrator]:<i> This is
the Grand Canyon Skywalk,</i>

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<i>a big dream that almost
pushed designers and engineers</i>

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<i>over the edge.</i>

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<i>So how did they build it?</i>

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<i>Carved 6 million years ago
by the mighty Colorado River,</i>

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<i>the Grand Canyon
is 277 miles long,</i>

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<i>18 miles across at its widest,</i>

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<i>and over a mile deep.</i>

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<i>It's so large,
it creates its own weather.</i>

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<i>It's also home to
the Hualapai tribe,</i>

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<i>which owns over a million
acres in northwest Arizona.</i>

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<i>In 2003, they seize
the opportunity</i>

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<i>to share their culture</i>

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<i>and raise funds
for the local community</i>

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<i>by creating somewhere
special for visitors to enjoy</i>

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<i>an unparalleled
view of the canyon</i>

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<i>at an important tribal landmark.</i>

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This spot, Eagle Point, is very
sacred to our Hualapai people.

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As you can see, there's a
rock formation of Eagle Point.

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Historically, what our
forefathers and our medicine men

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would do was come here
to this specific spot

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to pray for the wellness
and well-being of our people.

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And from here, the Eagle carries
the prayers up to our creator.

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[Narrator]:<i> It is an
extraordinary place</i>

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<i>with an incredible view.</i>

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<i>Simply perfect</i>

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<i>and deserving of something
completely out of the ordinary.</i>

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<i>Together with a developer,</i>

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<i>they hatch a ground-breaking
plan to build a glass bridge</i>

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<i>out over the canyon.</i>

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[Ruby]: We knew that the skywalk

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was definitely the
first in the world.

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And we knew that it would put

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Hualapai Grand Canyon West
on the map.

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[Corina]: Many grand designs
are built simply to serve

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the egos of billionaires.

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But this bridge will bring real
benefit to the local community.

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[Narrator]:<i> That's if
they can actually build it,</i>

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<i>because besides the
brand-new cultural centre,</i>

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<i>the design calls for
a 150-foot steel bridge</i>

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<i>that extends 70 feet out</i>

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<i>before curving back
in a huge horseshoe</i>

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<i>and re-joining land.</i>

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<i>It will appear unsupported,</i>

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<i>hovering 4000 feet
above the river below.</i>

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<i>Its floor will be made from
46 panels of super-strong glass.</i>

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<i>Taking the walkway will
be like walking on air,</i>

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<i>giving visitors a hair-raising
view down into the valley below.</i>

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<i>But designing is one thing.</i>

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<i>Constructing is
something else entirely.</i>

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[Hayley]: With a structure
that's never been built before,

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you're heading into the unknown.
But with this structure,

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the unknown happens to be
at the edge of a cliff.

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[Narrator]:<i> This monumental task</i>

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<i>falls to engineer
Scott Klempke and his team.</i>

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A friend of a friend brought in
a set of plans, a new project,

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and said, uh, "Bridge
over the Grand Canyon."

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And we all thought it
was an April Fool's joke.

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And we started paging through it

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and saw that it was
literally a horseshoe bridge.

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We started looking
at it seriously

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and thought it was something
we could perform well on.

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And we focused all of our
attention to this project.

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[Narrator]:<i> The first
challenge Scott and the team</i>

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<i>have to overcome is
creating foundations on land</i>

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<i>that will be strong enough
to support a 600-ton bridge</i>

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<i>that only touches the
ground at two points.</i>

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<i>They turn to a piece
of engineering magic</i>

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<i>called a cantilever.</i>

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The skywalk is
cantilever engineering

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at its absolute purest.

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Only its integral strength
allows it to extend

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that breath-taking 70 feet
clear of the cliff edge.

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But it's a heavy structure,

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so it's gonna need some serious
anchoring to its host rock.

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[Narrator]:<i> Thankfully,
the site's geology</i>

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<i>makes it perfect for the job.</i>

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[Ruby]: The rock within the area

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was the strongest
here at Grand Canyon West

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to hold a building
of this magnitude.

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[Narrator]:
<i>In 2004, seven years of</i>

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<i>planning and wondering is over.</i>

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<i>It's time to bring in
the equipment</i>

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<i>and see if they can
translate the design on paper</i>

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<i>to reality in the rock.</i>

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<i>Work begins on the foundations,
which involves the engineers</i>

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<i>drilling down 50 feet
into the cliff face.</i>

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<i>They then fill
each hole with concrete</i>

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<i>that's reinforced with
tons of heavy-duty steel rods</i>

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<i>known as rebar.</i>

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<i>It will create
a series of micropiles</i>

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<i>anchoring the
bridge to the cliff</i>

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<i>and stopping it from
toppling over the edge.</i>

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[Scott]: There's a
cluster of micropiles...

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Dozens, maybe, maybe 30 of
them going down about 50 feet.

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[Narrator]:<i> The team then pours</i>

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<i>a huge slab of reinforced
concrete</i>

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<i>which connects
all the micropiles,</i>

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<i>and onto which the sky bridge
will eventually fix.</i>

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So that's a massive footing up
top here, connecting all those.

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[Narrator]:<i> With the
foundations in place,</i>

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<i>the plan is to transport
the 50-feet-long</i>

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<i>steel sections of bridge</i>

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<i>that have been fabricated
in Salt Lake City</i>

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<i>to the site by truck.</i>

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<i>But the remoteness
of the location</i>

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<i>and rough road to get there</i>

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<i>mean drivers will
only come partway.</i>

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We had, you know, $100,000
rigs sitting there,

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and they would stop, and
they wanted to be offloaded.

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And we had to put them
on short-load trucks

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and haul them in.

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[Narrator]:<i> One by one,
the pieces of the bridge</i>

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<i>are hauled to Eagle's Point.</i>

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<i>The next challenge
is figuring out exactly</i>

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<i>how they're going to fix</i>

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<i>the 600-ton bridge
of steel together.</i>

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<i>They decide that instead of
building off the foundations</i>

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<i>and out into thin air,</i>

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<i>they're going to assemble
the entire bridge</i>

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<i>50 feet back from
the cliff's edge.</i>

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It would be with cranes
and cages and safety nets

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and all kinds of things.

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So much faster,
simpler, cleaner.

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Corrective work
could be done easier

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when it's on property
here like this.

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Pre-assembling the
skywalk on solid ground

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definitely have its benefits,

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Construction workers are not
exposed to the sheer drop

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to the rocks below.

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Plus, it's just way easier
to inspect the structure

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and, if needed,
make any changes.

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[Narrator]:
<i>Easier to build, yes.</i>

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<i>But will it be
easier to install?</i>

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[Hayley]: Then you've got
this huge problem

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of moving this
structure into position.

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I'm glad that's not my job.

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[Narrator]:<i> On the edge
of the Grand Canyon,</i>

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<i>a massive project is underway
to build a sky bridge</i>

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<i>which will float over
the 4000-foot drop.</i>

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<i>It's an enormous job and
fraught with difficulty.</i>

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<i>Now, having built it
50 feet back from the edge,</i>

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<i>they have to work out
how to move the 600-ton bridge</i>

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<i>out over the canyon.</i>

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<i>With no instruction manual,</i>

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<i>they look to the
past for inspiration.</i>

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The only thing I've
ever heard it used for

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is the Egyptians
and the pyramids.

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I have never seen
anything like that.

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Typically, you can use
cranes in cantilever.

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This is such a heavy structure

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that we couldn't have
enough crane work out here

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to lift it up
and set it in place.

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[Narrator]:<i> The plan is
to lift the 600-ton bridge</i>

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<i>with hydraulic jacks up onto
multiple 2-inch rollers.</i>

225
00:11:27,251 --> 00:11:30,397
<i>It's a system very similar to
the way the ancient Egyptians</i>

226
00:11:30,421 --> 00:11:33,833
<i>moved the sone blocks
to build the pyramids.</i>

227
00:11:33,857 --> 00:11:36,336
<i>As the bridge edges
out over the drop,</i>

228
00:11:36,360 --> 00:11:39,305
<i>huge steel plates
placed onto the back</i>

229
00:11:39,329 --> 00:11:43,510
<i>act as a counterweight
to stop it tipping over.</i>

230
00:11:43,534 --> 00:11:45,178
<i>Then, a winch cable
will be attached</i>

231
00:11:45,202 --> 00:11:47,580
<i>to the front of the bridge.</i>

232
00:11:47,604 --> 00:11:49,249
<i>As the cable is tensioned,</i>

233
00:11:49,273 --> 00:11:53,420
<i>the bridge will start to move
towards its final resting place.</i>

234
00:11:53,444 --> 00:11:56,489
<i>Get it wrong, that's
going to be 4000 feet down</i>

235
00:11:56,513 --> 00:11:58,782
<i>at the bottom of Grand Canyon.</i>

236
00:12:01,218 --> 00:12:03,830
It took two full days,
very slowly,

237
00:12:03,854 --> 00:12:06,266
to move the structure
out in place.

238
00:12:06,290 --> 00:12:08,601
We dropped it down
onto these plates.

239
00:12:08,625 --> 00:12:10,069
And over the course
of that night,

240
00:12:10,093 --> 00:12:11,304
we had welders out here

241
00:12:11,328 --> 00:12:12,808
constantly welding
the structure down.

242
00:12:14,832 --> 00:12:16,910
[Narrator]:<i> The
bridge is in place.</i>

243
00:12:16,934 --> 00:12:19,470
<i>But the challenges
are far from over.</i>

244
00:12:21,271 --> 00:12:24,617
<i>The next step is to create a
walkway that's strong enough</i>

245
00:12:24,641 --> 00:12:28,955
<i>to safely handle over
1 million visitors every year,</i>

246
00:12:28,979 --> 00:12:32,125
<i>but clear enough to appear
that when you look down,</i>

247
00:12:32,149 --> 00:12:34,627
<i>you're walking on air.</i>

248
00:12:34,651 --> 00:12:36,429
[Hayley]: But this
isn't ordinary glazing.

249
00:12:36,453 --> 00:12:38,431
This is structural,
laminated glass,

250
00:12:38,455 --> 00:12:41,100
which can be incredibly strong.

251
00:12:41,124 --> 00:12:42,735
To create the strength,

252
00:12:42,759 --> 00:12:45,472
engineers layer the glass with
different polymers and plastics

253
00:12:45,496 --> 00:12:47,540
to make it less like
the windows in your house

254
00:12:47,564 --> 00:12:49,600
and more like bulletproof glass.

255
00:12:51,235 --> 00:12:54,447
[Narrator]:<i> Manufactured by a
specialist company in Germany,</i>

256
00:12:54,471 --> 00:12:57,550
<i>the glass is almost
3 inches thick</i>

257
00:12:57,574 --> 00:13:00,677
<i>and made up of five separate
layers bonded together.</i>

258
00:13:01,578 --> 00:13:03,590
<i>On top, it has one
final sheet of glass</i>

259
00:13:03,614 --> 00:13:06,159
<i>that can be replaced if damaged</i>

260
00:13:06,183 --> 00:13:09,319
<i>and a layer of plastic film
to protect it from scratching.</i>

261
00:13:10,754 --> 00:13:15,034
<i>Altogether it weighs in
at over 80,000 pounds</i>

262
00:13:15,058 --> 00:13:18,529
<i>and takes around three weeks
to be lifted into place.</i>

263
00:13:21,265 --> 00:13:25,945
<i>In September 2006, the
bridge structure is in place.</i>

264
00:13:25,969 --> 00:13:30,283
<i>But there is one last challenge
the engineers have to overcome.</i>

265
00:13:30,307 --> 00:13:32,886
<i>It's called positive feedback.</i>

266
00:13:32,910 --> 00:13:36,422
<i>It happens where a small
disturbance is amplified,</i>

267
00:13:36,446 --> 00:13:40,460
<i>and it can result in disaster.</i>

268
00:13:40,484 --> 00:13:41,861
[Hayley]: Once a
bridge moves a little,

269
00:13:41,885 --> 00:13:44,898
everyone on it moves
in sync to compensate,

270
00:13:44,922 --> 00:13:48,468
and this is like adding
fuel to the fire.

271
00:13:48,492 --> 00:13:50,370
[Narrator]:<i> Pedestrians
unconsciously start moving</i>

272
00:13:50,394 --> 00:13:53,540
<i>in time with the natural
sway of the bridge.</i>

273
00:13:53,564 --> 00:13:57,610
<i>And that amplifies it,
making it worse and worse.</i>

274
00:13:57,634 --> 00:13:59,178
[Hayley]: The Millennium
Bridge in London

275
00:13:59,202 --> 00:14:02,482
had to close 2 days
after it opened.

276
00:14:02,506 --> 00:14:04,517
[Narrator]:<i> Afraid the same
thing could happen here,</i>

277
00:14:04,541 --> 00:14:08,421
<i>the team tests out
their secret weapon...</i>

278
00:14:08,445 --> 00:14:10,256
<i>Kevin.</i>

279
00:14:10,280 --> 00:14:12,325
All right, so my
colleague, Kevin,

280
00:14:12,349 --> 00:14:15,552
is out bouncing on the bridge.

281
00:14:19,456 --> 00:14:22,569
You can see the motions
being picked up here.

282
00:14:22,593 --> 00:14:24,504
So what I'm doing right
now is trying to bounce

283
00:14:24,528 --> 00:14:27,240
at the natural
frequency of the bridge.

284
00:14:27,264 --> 00:14:30,076
So it's kind of hard to tell
when you're bouncing like this,

285
00:14:30,100 --> 00:14:32,812
how it's moving,
but if I stop for a second,

286
00:14:32,836 --> 00:14:34,905
you can really feel
it start to go.

287
00:14:36,273 --> 00:14:38,751
[Narrator]: Inside the
anchored base of the skywalk,

288
00:14:38,775 --> 00:14:41,254
they've fitted a damper system.

289
00:14:41,278 --> 00:14:42,855
Once it's properly calibrated,

290
00:14:42,879 --> 00:14:45,858
this should reduce
any bounce in the bridge.

291
00:14:45,882 --> 00:14:48,595
[Andy]: So the graph is
showing here how much amplitude

292
00:14:48,619 --> 00:14:51,130
we're getting,
acceleration in G's.

293
00:14:51,154 --> 00:14:53,633
So we're hitting about
0.1 G's acceleration,

294
00:14:53,657 --> 00:14:55,626
so a tenth the force of gravity.

295
00:14:59,763 --> 00:15:02,442
[Narrator]: Now they turn
on the mass dampeners

296
00:15:02,466 --> 00:15:04,143
to see how much of
an effect they have

297
00:15:04,167 --> 00:15:06,913
on the bridge's movement.

298
00:15:06,937 --> 00:15:09,482
[Andy]: So this is the
big mass block, all this.

299
00:15:09,506 --> 00:15:12,018
That's 1450 kilograms.

300
00:15:12,042 --> 00:15:15,655
And then in behind here,
you can see on the other side,

301
00:15:15,679 --> 00:15:17,223
is there are viscous dampers.

302
00:15:17,247 --> 00:15:21,027
It's like a shock absorber to
draw the energy of the system.

303
00:15:21,051 --> 00:15:23,129
[Narrator]:<i> Like the shock
absorbers in your car,</i>

304
00:15:23,153 --> 00:15:25,331
<i>these should absorb
the movement in the bridge</i>

305
00:15:25,355 --> 00:15:29,068
<i>created by Kevin jumping.</i>

306
00:15:29,092 --> 00:15:32,271
<i>In fact, they should enable the
bridge to withstand 800 people,</i>

307
00:15:32,295 --> 00:15:34,073
<i>each weighing 200 pounds,</i>

308
00:15:34,097 --> 00:15:37,143
<i>and all jumping up and
down at the same time.</i>

309
00:15:37,167 --> 00:15:38,511
[Andy]: Ultimately, we
don't want them to know

310
00:15:38,535 --> 00:15:40,079
this is even here.

311
00:15:40,103 --> 00:15:43,549
They want to think the bridge
is perfectly stable, smooth.

312
00:15:43,573 --> 00:15:45,642
As long as that happens,
we've done our job.

313
00:15:47,310 --> 00:15:54,193
[music]

314
00:15:54,217 --> 00:15:57,897
[Narrator]:<i> In 2007, with
the build finally complete,</i>

315
00:15:57,921 --> 00:16:00,767
<i>the bridge opens to the public,</i>

316
00:16:00,791 --> 00:16:04,337
<i>sharing the Hualapai tribe's
rich cultural heritage</i>

317
00:16:04,361 --> 00:16:08,675
<i>and an awe-inspiring view.</i>

318
00:16:08,699 --> 00:16:10,543
[Ruby]: The first time
you're a little scared,

319
00:16:10,567 --> 00:16:12,945
but definitely
it's never the same.

320
00:16:12,969 --> 00:16:16,849
Every time you walk on the
skywalk, it's never the same.

321
00:16:16,873 --> 00:16:21,954
I'm a little scared just
cos it's a far way down.

322
00:16:21,978 --> 00:16:26,492
[chatter]

323
00:16:26,516 --> 00:16:29,796
It gives a bit of us as Hualapai

324
00:16:29,820 --> 00:16:31,364
that the tourists
and the visitors

325
00:16:31,388 --> 00:16:33,499
will come and take with them

326
00:16:33,523 --> 00:16:38,371
to feel that they
shared that aha moment.

327
00:16:38,395 --> 00:16:40,206
That's... that's
a real [unintelligible].

328
00:16:40,230 --> 00:16:41,507
[laughing]

329
00:16:41,531 --> 00:16:42,942
[RoseMarie]:
And they really took

330
00:16:42,966 --> 00:16:45,945
that step of faith, of courage,
and they got it here,

331
00:16:45,969 --> 00:16:48,581
and kind of made you feel
that backbone of, you know,

332
00:16:48,605 --> 00:16:51,708
being Hualapai.
It's a proud sense.

333
00:16:54,244 --> 00:16:56,856
[Narrator]:<i> This leg-shaking
engineering marvel</i>

334
00:16:56,880 --> 00:16:58,991
<i>gives tourists
an unbeatable view</i>

335
00:16:59,015 --> 00:17:02,628
<i>over one of the Seven
Natural Wonders of the World,</i>

336
00:17:02,652 --> 00:17:05,689
<i>while also helping the
Hualapai tribe thrive.</i>

337
00:17:06,890 --> 00:17:10,694
<i>This is truly a
bridge like no other.</i>

338
00:17:16,566 --> 00:17:24,307
[music]

339
00:17:25,442 --> 00:17:27,086
Now, if I were
lucky enough to own

340
00:17:27,110 --> 00:17:29,856
a large and priceless
art collection,

341
00:17:29,880 --> 00:17:32,458
my absolute number-one
priority would be to find

342
00:17:32,482 --> 00:17:35,862
the safest possible environment
in which to have it stored

343
00:17:35,886 --> 00:17:38,564
and displayed for
future generations.

344
00:17:38,588 --> 00:17:39,966
You know the kind of place...

345
00:17:39,990 --> 00:17:42,068
A blizzard-prone
Canadian forest,

346
00:17:42,092 --> 00:17:44,170
middle of a major
flood plain which,

347
00:17:44,194 --> 00:17:47,907
when it's not under water,
gets 15 feet of snow.

348
00:17:47,931 --> 00:17:50,100
Now, that's where
I'm building my gallery!

349
00:17:56,673 --> 00:17:59,452
[Narrator]:<i> In 2012,
a wealthy entrepreneur</i>

350
00:17:59,476 --> 00:18:02,655
<i>gives an internationally
renowned firm of architects</i>

351
00:18:02,679 --> 00:18:04,047
<i>a challenge.</i>

352
00:18:05,148 --> 00:18:07,894
<i>He wants to create an
extraordinary building</i>

353
00:18:07,918 --> 00:18:11,188
<i>which will be as beautiful as
the art it's designed to show.</i>

354
00:18:13,089 --> 00:18:16,202
<i>It has to fit perfectly
into the environment,</i>

355
00:18:16,226 --> 00:18:19,362
<i>but be tough enough to survive
whatever's thrown at it.</i>

356
00:18:20,997 --> 00:18:24,911
<i>Which in this case, is
going to be quite a lot,</i>

357
00:18:24,935 --> 00:18:27,613
<i>given that the
area is prone to...</i>

358
00:18:27,637 --> 00:18:32,285
<i>raging blizzards...</i>

359
00:18:32,309 --> 00:18:35,354
<i>severe flooding...</i>

360
00:18:35,378 --> 00:18:37,247
<i>and serious earthquakes.</i>

361
00:18:39,015 --> 00:18:40,526
This building has to endure

362
00:18:40,550 --> 00:18:43,029
one of the most
inhospitable locations

363
00:18:43,053 --> 00:18:44,988
in the whole of North America.

364
00:18:46,556 --> 00:18:47,867
[Narrator]:<i> Defying
the challenges,</i>

365
00:18:47,891 --> 00:18:49,368
<i>the architects and engineers</i>

366
00:18:49,392 --> 00:18:53,330
<i>create an award-winning
building that does exactly that.</i>

367
00:18:55,765 --> 00:18:58,635
<i>This is the Audain Museum
in Whistler.</i>

368
00:19:01,004 --> 00:19:03,740
<i>So how did they built it?</i>

369
00:19:07,634 --> 00:19:09,312
[Narrator]:<i> British Columbia.</i>

370
00:19:09,336 --> 00:19:12,682
<i>Home to the Canadian
Rocky Mountains...</i>

371
00:19:12,706 --> 00:19:15,418
<i>stunning coastlines...</i>

372
00:19:15,442 --> 00:19:19,422
<i>dense rainforests...</i>

373
00:19:19,446 --> 00:19:22,616
<i>and to developer and
philanthropist Michael Audain.</i>

374
00:19:24,351 --> 00:19:27,731
<i>By 2012, Michael has spent
over 60 years building up</i>

375
00:19:27,755 --> 00:19:32,702
<i>an irreplaceable
collection of art,</i>

376
00:19:32,726 --> 00:19:35,972
<i>including one of the largest
of First Nations masks</i>

377
00:19:35,996 --> 00:19:37,464
<i>in the world.</i>

378
00:19:40,200 --> 00:19:41,511
[Michael]: We began
to think, well, what?

379
00:19:41,535 --> 00:19:44,280
What shall we do with it,
with the collection?

380
00:19:44,304 --> 00:19:48,651
Rather selfish just
to keep it to ourselves.

381
00:19:48,675 --> 00:19:52,889
I grew up in a town that
lacked a public art gallery.

382
00:19:52,913 --> 00:19:54,824
It's very important for me

383
00:19:54,848 --> 00:19:58,995
that children have
access to art museums.

384
00:19:59,019 --> 00:20:01,155
It may change their
lives forever.

385
00:20:05,392 --> 00:20:07,103
[Narrator]:<i> Michael
decides that the answer</i>

386
00:20:07,127 --> 00:20:10,073
<i>is to build a very
special gallery</i>

387
00:20:10,097 --> 00:20:11,932
<i>that will be open to the public.</i>

388
00:20:13,400 --> 00:20:16,479
<i>The first challenge
is choosing where.</i>

389
00:20:16,503 --> 00:20:19,416
What he was looking for
was a site with trees.

390
00:20:19,440 --> 00:20:21,484
And for him, it was very
important that the context

391
00:20:21,508 --> 00:20:25,555
of the museum be a forest
like natural British Columbia

392
00:20:25,579 --> 00:20:29,993
[Narrator]: In 2012, the
team finds just the spot...

393
00:20:30,017 --> 00:20:32,429
7000 feet above sea level,

394
00:20:32,453 --> 00:20:37,400
in the middle of a forest
in the town of Whistler.

395
00:20:37,424 --> 00:20:40,127
It was a perfect site,
as far as we're concerned.

396
00:20:41,662 --> 00:20:43,306
[Narrator]:<i> It's a
small site in a clearing</i>

397
00:20:43,330 --> 00:20:46,476
<i>in a pristine piece of forest.</i>

398
00:20:46,500 --> 00:20:49,512
<i>But it's not the
easiest place to build.</i>

399
00:20:49,536 --> 00:20:52,415
<i>Michael's determined
not to fell any trees.</i>

400
00:20:52,439 --> 00:20:55,008
<i>And the clearing isn't
big enough for the museum.</i>

401
00:20:55,909 --> 00:20:59,222
<i>The problems don't end there.</i>

402
00:20:59,246 --> 00:21:01,724
Building on a river
flood plain in Whistler?

403
00:21:01,748 --> 00:21:04,127
Your building better be ready.

404
00:21:04,151 --> 00:21:06,296
[John]: Outside of the
protection of the dyke

405
00:21:06,320 --> 00:21:08,198
that protects
Whistler Village from

406
00:21:08,222 --> 00:21:11,067
the really torrential
floods that are possible

407
00:21:11,091 --> 00:21:12,502
with Fitzsimmons Creek.

408
00:21:12,526 --> 00:21:15,505
And building on this side
of the dyke within the forest

409
00:21:15,529 --> 00:21:18,775
was beautiful, but
we were vulnerable to

410
00:21:18,799 --> 00:21:21,878
very severe flooding.

411
00:21:21,902 --> 00:21:24,414
[Narrator]:<i> Add to that, it
will also have to deal with</i>

412
00:21:24,438 --> 00:21:28,952
<i>an annual snowfall
of more than 15 feet.</i>

413
00:21:28,976 --> 00:21:32,222
<i>And it will need to
be earthquake proof.</i>

414
00:21:32,246 --> 00:21:35,391
<i>But Michael has set
his heart on the site.</i>

415
00:21:35,415 --> 00:21:37,227
<i>So it falls to the
architects and engineers</i>

416
00:21:37,251 --> 00:21:39,128
<i>to create something
that will work here</i>

417
00:21:39,152 --> 00:21:40,754
<i>despite the challenges.</i>

418
00:21:44,892 --> 00:21:46,236
<i>They come up with
an awe-inspiring</i>

419
00:21:46,260 --> 00:21:47,770
<i>two-storey structure</i>

420
00:21:47,794 --> 00:21:51,331
<i>that will rise 65 feet
from the forest floor.</i>

421
00:21:52,432 --> 00:21:54,978
<i>To overcome the problems
of the size of the plot</i>

422
00:21:55,002 --> 00:21:56,479
<i>and create enough space,</i>

423
00:21:56,503 --> 00:22:01,417
<i>it will bend around
the mature trees.</i>

424
00:22:01,441 --> 00:22:04,587
<i>The galleries and walkways
will be lined wall to wall</i>

425
00:22:04,611 --> 00:22:07,891
<i>with thousands of feet
of triple-glazed windows</i>

426
00:22:07,915 --> 00:22:13,463
<i>to make the most of its stunning
location and keep out the cold,</i>

427
00:22:13,487 --> 00:22:16,299
<i>while the rest of the building
will be clad in local wood,</i>

428
00:22:16,323 --> 00:22:20,770
<i>allowing it to merge seamlessly
into the forest setting.</i>

429
00:22:20,794 --> 00:22:24,607
<i>It will be lifted 16 feet
off the ground on six legs</i>

430
00:22:24,631 --> 00:22:28,411
<i>to protect it from
flooding and earthquakes,</i>

431
00:22:28,435 --> 00:22:31,214
<i>while a special pitched roof
will protect the building</i>

432
00:22:31,238 --> 00:22:34,241
<i>and art inside from
the heavy snowfall.</i>

433
00:22:35,809 --> 00:22:38,421
[Ellie]: This is just a
great example of a building

434
00:22:38,445 --> 00:22:42,325
working with nature
rather thn fighting against it.

435
00:22:42,349 --> 00:22:45,895
Here the designers
have adapted the building

436
00:22:45,919 --> 00:22:48,097
so that it works
with the environment

437
00:22:48,121 --> 00:22:50,591
rather than just
bulldozing right through it.

438
00:22:52,259 --> 00:22:55,772
[Narrator]:<i> Michael
isn't immediately convinced.</i>

439
00:22:55,796 --> 00:22:57,840
It was a bit of a shock.

440
00:22:57,864 --> 00:23:00,476
Initially, what they
showed us looked to me like

441
00:23:00,500 --> 00:23:04,171
an upside-down canoe on stilts.

442
00:23:05,339 --> 00:23:07,784
[Narrator]:<i> But after
overcoming his initial surprise,</i>

443
00:23:07,808 --> 00:23:10,153
<i>Michael signs off on the design,</i>

444
00:23:10,177 --> 00:23:13,380
<i>and in 2013,
construction begins.</i>

445
00:23:15,282 --> 00:23:17,260
<i>The first challenge
the engineers face</i>

446
00:23:17,284 --> 00:23:19,295
<i>is to make sure the
building can stand up to</i>

447
00:23:19,319 --> 00:23:21,831
<i>any amount of flooding</i>

448
00:23:21,855 --> 00:23:23,766
The team will have to come up
with something that not only

449
00:23:23,790 --> 00:23:27,537
looks stunning, but can also
withstand the worst excesses

450
00:23:27,561 --> 00:23:30,173
of flooding that can
come with climate change

451
00:23:30,197 --> 00:23:31,765
in the years ahead.

452
00:23:36,670 --> 00:23:40,083
[Narrator]:<i> If the floods of
the past are anything to go by,</i>

453
00:23:40,107 --> 00:23:42,919
<i>this poses a real
and present danger,</i>

454
00:23:42,943 --> 00:23:45,622
<i>because they've swept
through Fitzsimmons Creek,</i>

455
00:23:45,646 --> 00:23:49,249
<i>near where the museum is
being built, countless times.</i>

456
00:23:50,317 --> 00:23:53,863
<i>In 1991, the most
notorious was so powerful,</i>

457
00:23:53,887 --> 00:23:57,457
<i>it destroyed homes
and bridges in its path.</i>

458
00:23:59,259 --> 00:24:01,904
What they come up with
seems remarkably simple,

459
00:24:01,928 --> 00:24:03,773
but it's anything but that.

460
00:24:03,797 --> 00:24:06,433
They're going to raise
the building up on legs.

461
00:24:07,567 --> 00:24:09,145
[John]: The entire
building has been lifted

462
00:24:09,169 --> 00:24:11,381
one floor above the ground,

463
00:24:11,405 --> 00:24:14,584
which would allow the flood
and, more importantly,

464
00:24:14,608 --> 00:24:17,611
the debris that the flood
carries through the site.

465
00:24:20,547 --> 00:24:23,626
[Narrator]:<i> They build
six towering 16-foot legs,</i>

466
00:24:23,650 --> 00:24:26,295
<i>on top of which
the museum will sit,</i>

467
00:24:26,319 --> 00:24:30,066
<i>lifting it above any floodwater.</i>

468
00:24:30,090 --> 00:24:32,902
<i>These "piers" have three
super-strength steel columns</i>

469
00:24:32,926 --> 00:24:35,571
<i>running through them,
making them strong enough</i>

470
00:24:35,595 --> 00:24:38,741
<i>not only to withstand
raging water,</i>

471
00:24:38,765 --> 00:24:41,168
<i>but anything it's
carrying along with it.</i>

472
00:24:42,069 --> 00:24:45,048
[Eric]: We had to design the
structure inside the piers

473
00:24:45,072 --> 00:24:46,849
for the impact of
a car travelling

474
00:24:46,873 --> 00:24:49,252
at 2 metres per second...

475
00:24:49,276 --> 00:24:52,188
Or a log, whichever
was the heavier.

476
00:24:52,212 --> 00:24:54,824
[Narrator]:<i> Although the team
has overcome one problem,</i>

477
00:24:54,848 --> 00:24:58,194
<i>they've made another
potentially worse.</i>

478
00:24:58,218 --> 00:25:01,531
<i>The area sits on
two tectonic plates.</i>

479
00:25:01,555 --> 00:25:03,800
<i>Their collision created
the beautiful mountains</i>

480
00:25:03,824 --> 00:25:07,670
<i>around Whistler, but it also
means the region has a risk</i>

481
00:25:07,694 --> 00:25:09,205
<i>of earthquakes.</i>

482
00:25:09,229 --> 00:25:13,567
<i>Experts predict "the big one"
could strike at any time.</i>

483
00:25:16,069 --> 00:25:19,716
[Eric]: We are in a moderate
to high seismic zone.

484
00:25:19,740 --> 00:25:23,086
So earthquakes definitely
govern the design in this area,

485
00:25:23,110 --> 00:25:25,988
especially for a building that
is perched above the ground,

486
00:25:26,012 --> 00:25:28,925
like this one.

487
00:25:28,949 --> 00:25:30,960
[Narrator]:<i> Usually,
in earthquake regions,</i>

488
00:25:30,984 --> 00:25:35,798
<i>buildings have built-in sections
that buckle to absorb the shock.</i>

489
00:25:35,822 --> 00:25:38,201
<i>But while they will
prevent it from falling down,</i>

490
00:25:38,225 --> 00:25:43,005
<i>a tremor can still damage the
building's structural integrity.</i>

491
00:25:43,029 --> 00:25:47,310
<i>So here, the engineering team
turns to a cutting-edge solution</i>

492
00:25:47,334 --> 00:25:49,603
<i>developed at the
University of Toronto.</i>

493
00:25:50,570 --> 00:25:51,948
[Michael]: You can
imagine a buckled brace

494
00:25:51,972 --> 00:25:54,784
is causing a lot of
damage to the structure,

495
00:25:54,808 --> 00:25:59,312
and it's not really absorbing
energy in an optimum manner.

496
00:26:00,680 --> 00:26:01,958
[Narrator]:<i> Michael's invention,</i>

497
00:26:01,982 --> 00:26:04,393
<i>called a Scorpion
Yielding Connector,</i>

498
00:26:04,417 --> 00:26:06,920
<i>aims to solve both these issues.</i>

499
00:26:09,523 --> 00:26:11,667
[Michael]: When the brace
is activated in tension

500
00:26:11,691 --> 00:26:13,636
and compression
during the earthquake,

501
00:26:13,660 --> 00:26:17,173
then these fingers will yield
and dissipate energy through

502
00:26:17,197 --> 00:26:19,742
permanent bending
in both directions

503
00:26:19,766 --> 00:26:21,635
until the earthquake
motion stops.

504
00:26:22,803 --> 00:26:24,981
[Narrator]:<i> Twelve Scorpion
Yielding Connectors are placed</i>

505
00:26:25,005 --> 00:26:29,752
<i>at each end of the
building's support columns.</i>

506
00:26:29,776 --> 00:26:32,321
[Eric]: It has the ability
to dissipate energy

507
00:26:32,345 --> 00:26:36,125
even in a very severe
and long earthquake,

508
00:26:36,149 --> 00:26:37,684
which was the goal here.

509
00:26:39,052 --> 00:26:41,297
[Narrator]:<i> Mother Nature still
has one more major challenge</i>

510
00:26:41,321 --> 00:26:43,623
<i>for the designers to overcome.</i>

511
00:26:45,091 --> 00:26:47,970
<i>Snow.</i>

512
00:26:47,994 --> 00:26:52,041
<i>While it makes Whistler a
mecca for thrill seekers,</i>

513
00:26:52,065 --> 00:26:55,845
<i>it also has a pretty
big impact on construction.</i>

514
00:26:55,869 --> 00:26:58,481
The snow loads here are about
five times higher than they are

515
00:26:58,505 --> 00:27:00,650
in Vancouver an hour
and a half away.

516
00:27:00,674 --> 00:27:02,451
It basically amounts
to the equivalent of

517
00:27:02,475 --> 00:27:05,579
3 metres of fairly dense snow.

518
00:27:06,947 --> 00:27:09,425
[Narrator]:<i> The weight of that
much snow on a roof of this size</i>

519
00:27:09,449 --> 00:27:11,527
<i>is phenomenal.</i>

520
00:27:11,551 --> 00:27:13,296
<i>The traditional method
of dealing with it</i>

521
00:27:13,320 --> 00:27:16,732
<i>is to build a very
strong roof structure.</i>

522
00:27:16,756 --> 00:27:18,701
<i>But because the
building is on legs,</i>

523
00:27:18,725 --> 00:27:22,538
<i>the engineers want it to
be as light as possible,</i>

524
00:27:22,562 --> 00:27:24,106
<i>while the architects
don't want to spoil</i>

525
00:27:24,130 --> 00:27:26,609
<i>the look of the interior.</i>

526
00:27:26,633 --> 00:27:27,944
[Eric]: We were
pretty keen to shed

527
00:27:27,968 --> 00:27:30,103
as much of the snow
and as we could

528
00:27:32,172 --> 00:27:34,116
[Narrator]:<i> Their first
solution is to build the roof</i>

529
00:27:34,140 --> 00:27:39,889
<i>at 50 degrees, a much
steeper pitch than normal.</i>

530
00:27:39,913 --> 00:27:41,991
<i>And they clad it
in painted metal</i>

531
00:27:42,015 --> 00:27:45,118
<i>to reduce friction and
help the snow slide off.</i>

532
00:27:46,987 --> 00:27:50,399
We went from having to design
for about 3 metres of snow

533
00:27:50,423 --> 00:27:52,935
to designing for about a
metre and a half of snow.

534
00:27:52,959 --> 00:27:55,004
So that made a
significant difference.

535
00:27:55,028 --> 00:27:59,742
[music]

536
00:27:59,766 --> 00:28:01,677
[Narrator]:<i> After three
years of construction,</i>

537
00:28:01,701 --> 00:28:04,938
<i>the $50 million building
is just about ready.</i>

538
00:28:07,340 --> 00:28:10,519
<i>All it needs is the art,</i>

539
00:28:10,543 --> 00:28:13,823
<i>including one of
Xwalacktun's pieces.</i>

540
00:28:13,847 --> 00:28:15,324
[Xwalacktun]: It's
the architecture.

541
00:28:15,348 --> 00:28:16,559
It's the beauty.

542
00:28:16,583 --> 00:28:18,227
I never saw anything
like this before.

543
00:28:18,251 --> 00:28:19,719
It all looks just great.

544
00:28:21,755 --> 00:28:23,933
[Narrator]:<i> A stunning
piece of Xwalacktun's work</i>

545
00:28:23,957 --> 00:28:25,735
<i>marks the entrance</i>

546
00:28:25,759 --> 00:28:28,304
<i>and tells an ancient tale
of floodwaters descending</i>

547
00:28:28,328 --> 00:28:31,507
<i>from the nearby mountain.</i>

548
00:28:31,531 --> 00:28:33,476
[Xwalacktun]:<i> We are
on Salish territory</i>

549
00:28:33,500 --> 00:28:36,579
<i>and the building stands
on a floodplain.</i>

550
00:28:36,603 --> 00:28:39,739
So why not tell a Coast Salish
story of a great flood?

551
00:28:41,942 --> 00:28:44,787
[Narrator]:<i> One that this
museum would sit above,</i>

552
00:28:44,811 --> 00:28:47,957
<i>quietly protecting the stunning
British Columbian artwork</i>

553
00:28:47,981 --> 00:28:51,027
<i>now housed inside.</i>

554
00:28:51,051 --> 00:28:53,629
I think this place is
not about being loud.

555
00:28:53,653 --> 00:28:56,432
I think it's about paying
attention to the mountains.

556
00:28:56,456 --> 00:28:57,934
That to me was like, wow,

557
00:28:57,958 --> 00:29:02,595
that is so well thought out,
and clever, and insightful.

558
00:29:04,164 --> 00:29:08,744
[Narrator]:<i> In 2016, the
museum is about to open.</i>

559
00:29:08,768 --> 00:29:11,647
<i>Michael Audain reflects
on achieving his dream</i>

560
00:29:11,671 --> 00:29:13,883
<i>that everyone,
especially young people,</i>

561
00:29:13,907 --> 00:29:16,843
<i>can enjoy his
extraordinary collection.</i>

562
00:29:18,211 --> 00:29:21,557
[Michael]: I hope that their
exposure to the building,

563
00:29:21,581 --> 00:29:23,059
together with the art,

564
00:29:23,083 --> 00:29:26,186
will give them an experience
that they will remember.

565
00:29:30,557 --> 00:29:32,335
[Narrator]:<i> The Audain
Museum has won numerous</i>

566
00:29:32,359 --> 00:29:38,441
<i>architectural awards in
Canada and across the globe.</i>

567
00:29:38,465 --> 00:29:40,743
<i>It's an inspirational building,</i>

568
00:29:40,767 --> 00:29:43,079
<i>honouring the region's past</i>

569
00:29:43,103 --> 00:29:45,972
<i>and inspiring artists
of the future.</i>

570
00:29:50,643 --> 00:29:53,713
<i>Next, a gravity-defying library.</i>

571
00:29:58,000 --> 00:29:59,211
To Austria now, where
one designer has used

572
00:29:59,235 --> 00:30:01,647
a clever engineering trick
to give the impression

573
00:30:01,671 --> 00:30:04,316
whole sections of this
spectacular building

574
00:30:04,340 --> 00:30:08,053
are able to defy gravity
and float above the sidewalk.

575
00:30:08,077 --> 00:30:10,155
It's called the
cantilever principle,

576
00:30:10,179 --> 00:30:11,957
which maybe I could
explain for you,

577
00:30:11,981 --> 00:30:15,017
but I think I'm gonna let the
experts do the heavy lifting.

578
00:30:16,185 --> 00:30:19,422
[Mozart's<i> Eine Kleine
Nachtmusik</i> plays]

579
00:30:20,156 --> 00:30:21,800
[Narrator]:<i> The city
of Vienna in Austria</i>

580
00:30:21,824 --> 00:30:25,404
<i>is famous the world over for
its extravagantly ornamental</i>

581
00:30:25,428 --> 00:30:31,243
<i>Baroque architecture dating
back to the 17th century.</i>

582
00:30:31,267 --> 00:30:35,647
<i>But in 2008, a university
there needed a new home</i>

583
00:30:35,671 --> 00:30:39,184
<i>and decided it was time
to shake things up a bit.</i>

584
00:30:39,208 --> 00:30:42,154
If you have a reputation
for being a little old school,

585
00:30:42,178 --> 00:30:45,257
putting up a jaw-dropping
building is a surefire way

586
00:30:45,281 --> 00:30:47,583
to get noticed.

587
00:30:49,652 --> 00:30:52,064
[Narrator]:<i> To shape
the city's future,</i>

588
00:30:52,088 --> 00:30:54,833
<i>they turned to a
legendary architect</i>

589
00:30:54,857 --> 00:30:58,361
<i>with a reputation for
designing the impossible</i>

590
00:30:59,429 --> 00:31:01,240
[Hayley]: The
designers at Zaha Hadid

591
00:31:01,264 --> 00:31:02,674
never do anything by halves.

592
00:31:02,698 --> 00:31:05,668
But this building is on
a completely different level.

593
00:31:07,503 --> 00:31:10,082
[Narrator]:<i> Zaha
didn't disappoint,</i>

594
00:31:10,106 --> 00:31:12,084
<i>dreaming up an
incredible building</i>

595
00:31:12,108 --> 00:31:14,686
<i>to sit at the heart
of the new campus.</i>

596
00:31:14,710 --> 00:31:16,522
[Ellie]: It's just
completely bonkers.

597
00:31:16,546 --> 00:31:18,681
It looks like it's gonna
fall down at any moment.

598
00:31:19,649 --> 00:31:21,693
[Narrator]:<i> A
construction so radical,</i>

599
00:31:21,717 --> 00:31:25,121
<i>some of the build team
couldn't handle being on site.</i>

600
00:31:25,988 --> 00:31:28,858
[speaking German]

601
00:31:32,862 --> 00:31:34,640
[Narrator]:<i> Six storeys tall,</i>

602
00:31:34,664 --> 00:31:40,045
<i>inside and out it leans over
at a crazy 35-degree angle,</i>

603
00:31:40,069 --> 00:31:43,348
<i>while its piece de resistance
is an enormous reading room</i>

604
00:31:43,372 --> 00:31:48,320
<i>that floats 85 feet
above the sidewalk below.</i>

605
00:31:48,344 --> 00:31:50,889
<i>This radical design
is Vienna University's</i>

606
00:31:50,913 --> 00:31:53,358
<i>Library and Learning Centre.</i>

607
00:31:53,382 --> 00:31:55,518
<i>So how did they build it?</i>

608
00:32:02,892 --> 00:32:07,172
<i>In 2007</i>,<i> Vienna University
of Business and Economics</i>

609
00:32:07,196 --> 00:32:13,312
<i>wants to up its game and make
itself irresistible to students.</i>

610
00:32:13,336 --> 00:32:17,182
<i>A site is chosen for
a huge new 25-acre campus</i>

611
00:32:17,206 --> 00:32:20,519
<i>that will be home
to 20,000 students.</i>

612
00:32:20,543 --> 00:32:23,856
<i>At its heart will be
a flagship building.</i>

613
00:32:23,880 --> 00:32:27,559
<i>Something to stop
people in their tracks.</i>

614
00:32:27,583 --> 00:32:29,928
From the very beginning,
we really want to show

615
00:32:29,952 --> 00:32:33,265
that the most important
we have at the university

616
00:32:33,289 --> 00:32:35,300
are our students.

617
00:32:35,324 --> 00:32:38,537
It was a very conscious
decision to put

618
00:32:38,561 --> 00:32:42,331
the Library and Learning Centre
in the middle of the campus.

619
00:32:44,300 --> 00:32:46,044
[Narrator]:<i> Seeking an
eye-catching design,</i>

620
00:32:46,068 --> 00:32:50,148
<i>the university chooses a
truly extraordinary architect,</i>

621
00:32:50,172 --> 00:32:53,852
<i>her vision always pushing at
the boundaries of engineering.</i>

622
00:32:53,876 --> 00:32:55,478
<i>Zaha Hadid</i>

623
00:32:56,913 --> 00:32:58,290
<i>Amongst her recent successes</i>

624
00:32:58,314 --> 00:33:01,660
<i>are the Guangzhou
Opera House in China</i>

625
00:33:01,684 --> 00:33:04,720
<i>and the jaw-dropping Antwerp
Port Authority extension.</i>

626
00:33:06,188 --> 00:33:07,966
<i>What she imagines for Vienna</i>

627
00:33:07,990 --> 00:33:12,662
<i>can only be described as the
world's first extreme library.</i>

628
00:33:14,163 --> 00:33:16,408
<i>One of seven new
buildings on the campus,</i>

629
00:33:16,432 --> 00:33:19,111
<i>the library will be
the main showpiece...</i>

630
00:33:19,135 --> 00:33:22,438
<i>Visually arresting,
engineeringly heart-stopping.</i>

631
00:33:24,540 --> 00:33:26,652
<i>To stop the building
falling over,</i>

632
00:33:26,676 --> 00:33:29,121
<i>the team plans to pour
enormous foundations</i>

633
00:33:29,145 --> 00:33:33,449
<i>using almost 100,000 cubic
feet of reinforced concrete.</i>

634
00:33:35,751 --> 00:33:39,197
<i>Then, they'll start work on
the vertigo-inducing building</i>

635
00:33:39,221 --> 00:33:41,833
<i>with its 35-degree walls</i>

636
00:33:41,857 --> 00:33:45,461
<i>by creating a hugely
strong system of pillars.</i>

637
00:33:50,533 --> 00:33:53,579
<i>Next, nine prefabricated
steel sections</i>

638
00:33:53,603 --> 00:33:55,981
<i>will be craned into place</i>

639
00:33:56,005 --> 00:33:59,217
<i>to form the external
walls of the reading room</i>

640
00:33:59,241 --> 00:34:02,678
<i>with its gravity-defying
80-foot overhang.</i>

641
00:34:08,451 --> 00:34:11,997
<i>Finally, it will be clad
in two contrasting colours,</i>

642
00:34:12,021 --> 00:34:13,823
<i>defining the different blocks.</i>

643
00:34:16,092 --> 00:34:17,803
<i>Unique and futuristic,</i>

644
00:34:17,827 --> 00:34:21,597
<i>it will be like nothing
the city has ever seen before.</i>

645
00:34:22,565 --> 00:34:24,333
We were very much impressed.

646
00:34:27,036 --> 00:34:29,481
[Narrator]:<i> In 2010,
the engineers get to work</i>

647
00:34:29,505 --> 00:34:31,717
<i>building the foundations.</i>

648
00:34:31,741 --> 00:34:34,453
<i>It's an important
stage in any project.</i>

649
00:34:34,477 --> 00:34:38,123
<i>But here, it's
absolutely crucial...</i>

650
00:34:38,147 --> 00:34:40,659
<i>because not only do they have
to resist the entire weight</i>

651
00:34:40,683 --> 00:34:43,161
<i>of the building pushing down,</i>

652
00:34:43,185 --> 00:34:45,864
<i>but also, the forces
created by the sloping walls</i>

653
00:34:45,888 --> 00:34:49,325
<i>trying to tear the
foundations out of the ground.</i>

654
00:34:50,626 --> 00:34:52,638
[Corina]: In a normal building,
weight is distributed evenly

655
00:34:52,662 --> 00:34:54,473
across the foundations.

656
00:34:54,497 --> 00:34:57,142
But this building is
like an unbalanced seesaw,

657
00:34:57,166 --> 00:35:01,513
pushing down on one side
and pulling up on the other.

658
00:35:01,537 --> 00:35:03,749
These opposing forces are
going to put the foundations

659
00:35:03,773 --> 00:35:06,075
under a serious
amount of strain.

660
00:35:17,987 --> 00:35:20,098
[Narrator]:<i> To stop the
building from tipping over,</i>

661
00:35:20,122 --> 00:35:22,968
<i>the engineers devise
a clever anchoring system</i>

662
00:35:22,992 --> 00:35:26,605
<i>with a series of concrete
piles set into the ground</i>

663
00:35:26,629 --> 00:35:28,698
<i>that act like
the roots of a tree.</i>

664
00:35:51,821 --> 00:35:53,765
[Narrator]:<i> The rear of
the foundations now act</i>

665
00:35:53,789 --> 00:35:57,993
<i>like a counterweight, stopping
the building toppling forward.</i>

666
00:35:59,528 --> 00:36:01,206
<i>For even more stability</i>

667
00:36:01,230 --> 00:36:05,010
<i>and to deal the downward forces
of the rest of the building,</i>

668
00:36:05,034 --> 00:36:09,805
<i>the engineers pour a rock-solid
12-foot-deep cement slab on top.</i>

669
00:36:12,641 --> 00:36:14,853
<i>Now that the building
is going nowhere,</i>

670
00:36:14,877 --> 00:36:19,448
<i>the teams start to construct the
steeply angled 35-degree walls.</i>

671
00:36:21,117 --> 00:36:24,496
The whole building is
actually tilting forward.

672
00:36:24,520 --> 00:36:26,331
The direction of tilt gives you

673
00:36:26,355 --> 00:36:28,633
direction of the
main entrance and plaza.

674
00:36:28,657 --> 00:36:29,968
So, you know, always inside,

675
00:36:29,992 --> 00:36:32,104
even if you've
turned some corners,

676
00:36:32,128 --> 00:36:33,672
it is a kind of like a compass.

677
00:36:33,696 --> 00:36:36,132
It gives a directionality
to all spaces.

678
00:36:38,968 --> 00:36:42,013
[Narrator]:<i> They may be
dramatic and even inspired,</i>

679
00:36:42,037 --> 00:36:47,018
<i>but creating these slopes
isn't without its challenges.</i>

680
00:36:47,042 --> 00:36:49,121
<i>The walls in traditional
buildings are vertical</i>

681
00:36:49,145 --> 00:36:50,555
<i>for a reason...</i>

682
00:36:50,579 --> 00:36:53,759
<i>They help them stand up.</i>

683
00:36:53,783 --> 00:36:56,428
<i>Without that, the
engineers need to make sure</i>

684
00:36:56,452 --> 00:36:59,221
<i>that this building
won't simply collapse.</i>

685
00:37:00,289 --> 00:37:03,769
[Nehemaih]: With a building like
this, weight is a huge issue.

686
00:37:03,793 --> 00:37:06,605
You need to make sure
that every single piece

687
00:37:06,629 --> 00:37:09,775
counterbalances itself
out weight-wise.

688
00:37:09,799 --> 00:37:13,445
Every part has to be measured
to absolute precision

689
00:37:13,469 --> 00:37:15,814
to ensure that
a weak link in the structure

690
00:37:15,838 --> 00:37:19,508
does not risk making the
building collapse in on itself.

691
00:37:21,510 --> 00:37:24,046
[Narrator]:<i> Next,
can they pull it off?</i>

692
00:37:30,035 --> 00:37:32,780
[Narrator]:<i> In Vienna, Austria,
work is underway to build</i>

693
00:37:32,804 --> 00:37:36,784
<i>a challenging new
university building.</i>

694
00:37:36,808 --> 00:37:40,254
<i>Using incredibly strong
base plates made of steel,</i>

695
00:37:40,278 --> 00:37:45,827
<i>42 pillars, each 18 inches
thick and up to 120 feet long,</i>

696
00:37:45,851 --> 00:37:49,931
<i>are bolted securely
to the concrete slab.</i>

697
00:37:49,955 --> 00:37:52,958
<i>These will support
the 35-degree walls.</i>

698
00:37:54,326 --> 00:37:56,838
[Patrik]: Because these are
quite intricate geometries,

699
00:37:56,862 --> 00:37:59,907
you have to fit and end up in
the right junctions and points...

700
00:37:59,931 --> 00:38:01,776
Particular if you
want to build fast,

701
00:38:01,800 --> 00:38:03,578
where you build
things simultaneously.

702
00:38:03,602 --> 00:38:04,912
And the things are coming in,

703
00:38:04,936 --> 00:38:06,972
if they don't fit,
then you have a problem.

704
00:38:10,208 --> 00:38:12,153
[Narrator]:<i> The problems
for the construction team</i>

705
00:38:12,177 --> 00:38:14,222
<i>don't stop there.</i>

706
00:38:14,246 --> 00:38:16,357
<i>The architects designed
walls to lean in</i>

707
00:38:16,381 --> 00:38:19,260
<i>at seemingly impossible angles,</i>

708
00:38:19,284 --> 00:38:23,297
<i>and almost all are crucial to
the strength of the building...</i>

709
00:38:23,321 --> 00:38:26,291
<i>All of which proves too
much for some of the team.</i>

710
00:38:51,550 --> 00:38:53,060
[Narrator]:<i> With
surgical precision,</i>

711
00:38:53,084 --> 00:38:57,098
<i>the main building
is taking shape.</i>

712
00:38:57,122 --> 00:38:58,666
<i>But if the team found
constructing</i>

713
00:38:58,690 --> 00:39:01,702
<i>the 35-degree walls tough,</i>

714
00:39:01,726 --> 00:39:03,862
<i>there's worse still to come.</i>

715
00:39:06,431 --> 00:39:08,409
<i>In the spring of 2012,</i>

716
00:39:08,433 --> 00:39:10,878
<i>they turn their attention
to the two-storey section</i>

717
00:39:10,902 --> 00:39:14,449
<i>that will sit on top,</i>

718
00:39:14,473 --> 00:39:18,009
<i>with an 80-foot chunk hanging
out over the sidewalk below.</i>

719
00:39:19,511 --> 00:39:22,657
<i>It's made possible by using
an amazing piece of engineering</i>

720
00:39:22,681 --> 00:39:26,127
<i>called a cantilever.</i>

721
00:39:26,151 --> 00:39:29,864
Cantilevers are an incredible
way of opening up spaces

722
00:39:29,888 --> 00:39:32,924
and creating really
interesting builds.

723
00:39:34,793 --> 00:39:38,005
[Narrator]:<i> A cantilever is a
gravity-defying engineering tool</i>

724
00:39:38,029 --> 00:39:41,309
<i>that at it its core
is very simple.</i>

725
00:39:41,333 --> 00:39:44,946
<i>It's an overhang, only
supported on one side.</i>

726
00:39:44,970 --> 00:39:46,881
<i>But instead of tipping over,</i>

727
00:39:46,905 --> 00:39:49,116
<i>that force is transferred
through the building</i>

728
00:39:49,140 --> 00:39:52,420
<i>and into the foundations.</i>

729
00:39:52,444 --> 00:39:55,323
<i>This can be done in
many different ways.</i>

730
00:39:55,347 --> 00:39:58,826
<i>But in Vienna, it starts
with 200-foot-long girders</i>

731
00:39:58,850 --> 00:40:01,820
<i>locked on to a series
of leaning pillars.</i>

732
00:40:31,316 --> 00:40:33,561
[Narrator]:<i> To make the
structure even more rigid,</i>

733
00:40:33,585 --> 00:40:36,931
<i>colossal prefabricated
steel frames are craned in</i>

734
00:40:36,955 --> 00:40:39,400
<i>to create the side walls.</i>

735
00:40:39,424 --> 00:40:44,095
<i>When assembled and complete,
each wall weighs 300 tons.</i>

736
00:40:54,306 --> 00:40:56,984
[Narrator]:<i> It takes days,
but the steel sections</i>

737
00:40:57,008 --> 00:41:00,812
<i>weighing up to 50 tons
are bolted into place.</i>

738
00:41:02,280 --> 00:41:05,192
<i>The next challenge is
to turn the cast concrete</i>

739
00:41:05,216 --> 00:41:09,497
<i>and steel frames into
the dramatic, distinctive boxes</i>

740
00:41:09,521 --> 00:41:12,633
<i>the Zaha Hadid team imagines.</i>

741
00:41:12,657 --> 00:41:15,870
[Patrik]: The dark grey cladded
elements are library elements.

742
00:41:15,894 --> 00:41:19,173
And then the central
student facilities,

743
00:41:19,197 --> 00:41:21,342
they're expressed in light grey.

744
00:41:21,366 --> 00:41:24,845
So they're tied together
with some kind of ribbon move.

745
00:41:24,869 --> 00:41:27,381
They're kind of
interlocking systems...

746
00:41:27,405 --> 00:41:30,075
Not fully separate,
but always traceable.

747
00:41:33,078 --> 00:41:34,855
[Narrator]:<i> The team
turns to a cladding system</i>

748
00:41:34,879 --> 00:41:37,391
<i>made from a very
special sort of material</i>

749
00:41:37,415 --> 00:41:40,151
<i>called glass fibre
reinforced concrete</i>

750
00:41:41,219 --> 00:41:44,131
Glass fibre concrete panels have
become another useful weapon

751
00:41:44,155 --> 00:41:46,467
in the construction armoury.

752
00:41:46,491 --> 00:41:49,470
You can use these lightweight
panels to clad any building

753
00:41:49,494 --> 00:41:52,330
with any colour
you desire for your build.

754
00:41:54,299 --> 00:41:55,743
[Patrick]: This
technique is used a lot,

755
00:41:55,767 --> 00:41:58,212
and you can do
very fine details.

756
00:41:58,236 --> 00:42:00,972
We can also control
the colour quite well.

757
00:42:03,174 --> 00:42:04,852
[Narrator]:<i> The system
of adding dyes to the mix</i>

758
00:42:04,876 --> 00:42:07,221
<i>during fabrication of the panels</i>

759
00:42:07,245 --> 00:42:11,158
<i>means that you can choose
exactly the colour you want.</i>

760
00:42:11,182 --> 00:42:13,394
<i>And because each panel
is made to measure,</i>

761
00:42:13,418 --> 00:42:16,330
<i>they're very quick
to put into place.</i>

762
00:42:16,354 --> 00:42:18,966
Not only are they easy
to install, robust

763
00:42:18,990 --> 00:42:20,635
and weather resistant,

764
00:42:20,659 --> 00:42:23,061
but you don't need to
paint them every few years.

765
00:42:27,565 --> 00:42:30,211
[Narrator]:<i> It takes three
years to complete the build.</i>

766
00:42:30,235 --> 00:42:33,581
<i>And in 2013, the
university's astonishing new</i>

767
00:42:33,605 --> 00:42:34,882
<i>Library and Learning Centre</i>

768
00:42:34,906 --> 00:42:37,876
<i>turns on its lights
and opens its doors.</i>

769
00:42:39,110 --> 00:42:42,123
<i>Revealed is a
futuristic, dynamic space</i>

770
00:42:42,147 --> 00:42:46,394
<i>in which to teach,
study or simply gaze.</i>

771
00:42:46,418 --> 00:42:48,329
The first moment in the
morning when you enter it,

772
00:42:48,353 --> 00:42:49,654
you have, wow.

773
00:42:50,955 --> 00:42:52,500
[Edeltraud]: It's breath-taking.

774
00:42:52,524 --> 00:42:57,204
It's a nice combination of
aesthetic and engineering.

775
00:42:57,228 --> 00:42:59,240
[Narrator]:<i> Today
those 35-degree walls</i>

776
00:42:59,264 --> 00:43:02,043
<i>that once petrified
construction crews</i>

777
00:43:02,067 --> 00:43:05,646
<i>are a magnet for students
from around the globe.</i>

778
00:43:05,670 --> 00:43:07,181
[Jose]: That was one of
the most important things

779
00:43:07,205 --> 00:43:09,216
that made me came here.

780
00:43:09,240 --> 00:43:12,110
Like, wow, I will
study in that building.

781
00:43:13,344 --> 00:43:16,147
It's fun. It's something
completely different.

782
00:43:17,382 --> 00:43:19,593
[Narrator]:<i> Up in the reading
room, rock-solid engineering</i>

783
00:43:19,617 --> 00:43:22,630
<i>keeps that serious cantilever
holding everything up</i>

784
00:43:22,654 --> 00:43:24,932
<i>over the campus...</i>

785
00:43:24,956 --> 00:43:27,601
<i>broadening horizons
for those inside.</i>

786
00:43:27,625 --> 00:43:32,540
I think for the brain, it's
good that you have this view.

787
00:43:32,564 --> 00:43:36,167
I'm very inspired by
this building, yeah.

788
00:43:39,537 --> 00:43:42,016
[Narrator]:<i> The Vienna Learning
Library is an architectural</i>

789
00:43:42,040 --> 00:43:44,285
<i>and engineering wonder</i>

790
00:43:44,309 --> 00:43:47,621
<i>that not only gives students
a breath-taking place to study,</i>

791
00:43:47,645 --> 00:43:52,359
<i>but also gives them the courage
to question what's possible.</i>

792
00:43:52,383 --> 00:43:54,095
<i>It's a monument
to what hard work</i>

793
00:43:54,119 --> 00:43:56,287
<i>and ingenuity can achieve.</i>


